Vol. 33 No. 67 (2026): Miscelaneous

Capa da Matraga 67

Guest editors:
Patrícia Marouvo (UERJ) e Julia Scamparini (UERJ)

Published: 2026-01-31

Linguistic Papers

Literature Papers

  • The tortured body and the survivor’s trauma in Bernardo Carvalho’s Os bêbados e os sonâmbulos

    Analice Sousa Gomes, Renata Rocha Ribeiro
    103-116
    DOI: https://doi.org/10.12957/matraga.2026.92576
  • Contributions of Ariano Suassuna’s interludes to the consolidation of modern theater and the formation of Brazilian cultural identity

    Francisco Cláudio Alves Marques, Cassio Bitencourt de Oliveira
    117-133
    DOI: https://doi.org/10.12957/matraga.2026.92397
  • Exploring the Work of Ursula K. Le Guin: a proposed overview of new interpretations

    Gabriel Leibold
    134-141
    DOI: https://doi.org/10.12957/matraga.2026.92509
  • Translating Translating Mrs. Dalloway : from German to Urdu, 1928-2024 NONE

    Jeanne Dubino
    142-161
    DOI: https://doi.org/10.12957/matraga.2026.94308
  • Post-autonomy and its others: notes on an Argentinian criticism

    Maurício Chamarelli Gutierrez
    162-175
    DOI: https://doi.org/10.12957/matraga.2026.92605
  • “Do you know what it is to wrestle with a madwoman?”: madness and revenge in Lady Audley’s Secret

    Paula Pope Ramos
    176-188
    DOI: https://doi.org/10.12957/matraga.2026.92596

INTERVIEW/TESTIMONIAL

  • Ieda Magri interviews Elena Losada, translator of Clarice Lispector in Spain.

    Elena Losada, Ieda Magri
    189-199
    DOI: https://doi.org/10.12957/matraga.2026.96390

Reviews

  • Conhecimento em rede: laços e entrelaços da língua em uso, by Diego Leite de Oliveira and Karen Sampaio B. Alonso

    Roberto de Freitas Junior, Iulo Almeida Alves
    200-205
    DOI: https://doi.org/10.12957/matraga.2026.94170
  • Do poema à canção: a vocoperformance, by Leonardo Davino de Oliveira

    Lucas Leite Borba
    206-208
    DOI: https://doi.org/10.12957/matraga.2026.94716