“Narciso acha feio o que não é espelho”: reflexões sobre a exceção brasileira em Narciso em férias / “Narcissus shies away from look-unlikes”: Thoughts on the Brazilian Exception in Narcissus Off Duty
Keywords:
Narciso, Cinema, Exceção / Narcissus, Exception.Abstract
DOI:10.1590/2179-8966/2021/62913
Resumo
O artigo analisa os espelhamentos narrativos do documentário Narciso em férias, no qual Caetano Veloso relata sua prisão pela ditadura civil-militar brasileira. À luz de uma investigação sobre as relações entre Direito e Cinema, consideramos que as narrativas dispostas pelo filme evidenciam a memória da exceção que caracteriza a nossa experiência jurídico-política recente, permitindo-nos verificar a sua face violenta no espelho da representação.
Palavras-chave: Narciso; Cinema; Exceção.
Abstract
The article analyses the narrative mirroring of the documentary Narcissus Off Duty, in which Caetano Veloso relates his imprisonment by the Brazilian Civil-Military Dictatorship (1964-1985). Through the prism of an investigation on the relations between Law and Cinema, we conclude that the narratives mobilized in the movie bring to light the memory of the exception that characterizes our recent politico-juridical experience and allow us to identify its violent face in the mirror of representation.
Keywords: Narcissus; Cinema; Exception.
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