METAMOPHOSIS IN THE ORCHARD OR THE RISK OF ASTONISHMENT ENGRAVING
DOI:
https://doi.org/10.12957/riae.2024.84745Keywords:
philosophical body, writings from amazement, dance, poetry, philosophyAbstract
This paper builds on the weaving of life, rehearsal rooms, walks, and studies. It is a full-body writing, transiting between poetry, philosophy, literature, and dance. The artistic research in dance, Pomo, was initiated in 2012 based on my concerns about the relationship between the body and the fruit. Words slide and jump, erupt, and interrupt themselves in rehearsal notes, presentations, and theoretical-aesthetic propositions. For instance, it appears simultaneously as a moving thought as well as dance. The process started from memories of a mourning elaboration that deployed reflections from the entrails, where this text as fruit and seed, features a poetic, rough, and winding structure. In a similar manner, as roots, branches, or serpents. In other words, as entrails.
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Copyright (c) 2024 Irene Milhomens
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