WHAT IF TO PLAY WAS TO LIVE AND TO TO LIVE WAS ART?: LESSONS LEARNT WITH THE GUARANI MBYA

Authors

DOI:

https://doi.org/10.12957/riae.2024.84782

Keywords:

Art, Play, Live, Guarani Mbya

Abstract

This theoretical essay, based on an analysis of the worldview and artistic manifestations of the Guarani Mbya, seeks to present characteristics of the life and education of this original people, which focus on a poetics that relates playing, learning, art and living. Through the stories of Nhanderu, the ritual to identify the true name, wooden animals, spiritual and protest songs, musical instruments, basketry, body painting and dances, the Guarani educate for ancestry, autonomy, freedom and care. In this sense, it is worth learning from them in order to change the decolonial, capitalist, standardizing and traditionalist characteristics that still persist in education. 

Author Biography

Renan Santiago de Sousa, UFRJ

Licenciado em Música pelo CBM-CEU. Licenciado em Pedagogia pela UNIRIO. Mestre em Educação pela UFRJ. Mestrando em Ensino das Práticas Musicais pela UNIRIO. Doutorando em Educação pela UFRJ.

Published

2024-12-17

How to Cite

DE SOUSA, Renan Santiago. WHAT IF TO PLAY WAS TO LIVE AND TO TO LIVE WAS ART?: LESSONS LEARNT WITH THE GUARANI MBYA. Revista Interinstitucional Artes de Educar, [S. l.], v. 10, n. 3, p. 35–55, 2024. DOI: 10.12957/riae.2024.84782. Disponível em: https://www.e-publicacoes.uerj.br/riae/article/view/84782. Acesso em: 21 may. 2025.

Issue

Section

DOSSIÊ: PENSAMENTO POÉTICO: EPISTEMOLOGIAS, METODOLOGIAS E NARRATIVAS ARTÍSTICAS NA PESQUISA E NO ENSINO