Back to the refrain

nomos and music in Deleuze and Guattari

Authors

Keywords:

Ritornelos, Nomos, Music, Deleuze, Guattari

Abstract

https://doi.org/10.1590/2179-8966/2024/74452i

This essay explores the concept of nomos within the œuvres of Deleuze and Guattari. To do so, it reviews the literature that has dealt with that concept in two directions: on the one hand, authors who mobilize Deleuze and Guattari as interpreters of the Western nomos; on the other, Deleuze and Guattari as inventors of a creative take of nomos. Both directions, however, are lacking in terms of two fields of problematization that illuminate each other: the interpretation of the nomos in a musical sense, resumed on the plateau on the refrain, and the emergence of societies of control, which transform the hylomorphic moldings of disciplines into continuous modulations of information and controls. With the refrain, Deleuze and Guattari discover the danger and potential sideration of the relative limits that circumscribe the nomos of information and control societies. More than sharing the earth or distributing beings, the musical sense of the nomos develops the political, ontological and legal enigma of modulating incompossible materials and giving consistency to disparate multiplicities.

Keywords: Ritornelo; Nomos; Music; Deleuze; Guattari.

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Author Biography

Murilo Duarte Costa Corrêa, Universidade Estadual de Ponta Grossa

Professor Associado de Teoria Política da Faculdade de Direito e do Programa de Pós-Graduação em Ciências Sociais Aplicadas da UEPG. Affiliated researcher da Faculty of Law and Criminology da Vrije Universiteit Brussel, e Investigador visitante do Instituto Gino Germani, Faculdad de Ciencias Sociales da Universidad de Buenos Aires - instituições em que realizou pesquisas de pós-doutorado. Doutor (USP) e Mestre (UFSC) em Filosofia e Teoria Geral do Direito. Co-organizou O estado de exceção e as formas jurídicas (UEPG, 2017) e Pensar a Netflix (D’Plácido, 2018). Escreveu, entre outros livros, Direito e Ruptura: ensaios para uma filosofia do direito na imanência (Juruá, 2013) e Filosofia Black Bloc (Circuito/Hedra, 2020). Coordena o Laboratório de Pesquisa Interdisciplinar em Teoria Social/Teoria Política e Pós-Estruturalismo.

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Published

2024-05-16

How to Cite

Corrêa, M. D. C. (2024). Back to the refrain: nomos and music in Deleuze and Guattari. Direito E Práxis, 15(4), 1–28. Retrieved from https://www.e-publicacoes.uerj.br/revistaceaju/article/view/74452

Issue

Vol. 15 No. 4 (2024): REVISTA DIREITO E PRÁXIS

Section

Articles

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Copyright (c) 2024 Direito e Práxis

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