CINEMA AND DIVERSITY:
the construction of an emancipatory thought through liberating and inclusive education
DOI:
https://doi.org/10.12957/periferia.2024.76526Keywords:
epic cinema, diversity, emancipation, liberating and inclusive education, collaborative teaching.Abstract
This article aims to analyze the teaching of emancipatory art, more specifically cinema, as a possibility to promote creative and critical thinking, in accordance with Bertolt Brecht's epic theater and Sergei Eisenstein's cinematographic editing. Furthermore, the use of collaborative teaching and its possibilities for building democratic and inclusive thinking, through Paulo Freire's liberating education. To this end, a documentary analysis was carried out of enrollment forms and reports from the coordination, assistant coordinator and two art educators from an NGO that serves children and adolescents in a municipality in Minas Gerais. Furthermore, a film analysis of the short film “O Salto” presented at the end of 2022 by the project participants was carried out. The collaborative work developed between art educators, through a proposal for a shared teaching space (dance and fine arts) in a non-formal education environment was also verified, as well as the possibility and importance of expanding the process for future projects through of a well-defined Collaborative Teaching, which is guided by the concept of Inclusive and emancipatory Education. The research subjects were: a teacher specializing in dance; the other, a specialist in Fine Arts (cinema). It is concluded that the teaching of emancipatory art through the epic cinematographic genre has been achieved. However, for future projects there are reservations regarding the inclusion of tools for inclusion and diversity, such as subtitles, audio description and the pound window.
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