Vol. 26 No. 48 (2019): African and African Diaspora Literatures

View Vol. 26 No. 48 (2019): African and African Diaspora Literatures

Guest editors:
Ana Beatriz Gonçalves & Maria Aparecida Andrade Salgueiro

Published: 2020-01-28

Presentation

  • Introduction

    Ana Beatriz Gonçalves, Maria Aparecida Andrade Salgueiro
    495
    DOI: https://doi.org/10.12957/matraga.2019.46859

Literature Papers

  • “Here is the house”: A reading of the house(s) in The bluest eye, by Toni Morrison

    Eliza de Souza Silva Araújo, Danielle de Luna e Silva
    496-515
    DOI: https://doi.org/10.12957/matraga.2019.41284

  • The engaged literature in ‘Beloved’, by Toni Morrison

    Tiago Marques Luiz, Lucilia Teodora Villela de Leitgeb Lourenço
    516-535
    DOI: https://doi.org/10.12957/matraga.2019.42368

  • Candombe: an afrocentrist sociological approach to Uruguayan candombe

    Cristina R. Cabral
    536-551
    DOI: https://doi.org/10.12957/matraga.2019.44449

  • “La palabra que sana y salva”: home in Marta Quiñónez

    Marcela Batista Martinhão, Silvina Liliana Carrizo
    552-573
    DOI: https://doi.org/10.12957/matraga.2019.42339

  • Manuel Zapata Olivella, the African Muntu and the deconolization of imageries and epistemologies in Latin America

    Clément Animan Akassi
    574-593
    DOI: https://doi.org/10.12957/matraga.2019.45010

  • Words of yesteryear and duty of memory in ‘The fourth century’, by Édouard Glissant

    Vanessa Massoni da Rocha
    594-615
    DOI: https://doi.org/10.12957/matraga.2019.42883

  • Why African Literature of Greek Expression?: facing a question

    Fernanda Lemos de Lima
    616-634
    DOI: https://doi.org/10.12957/matraga.2019.44357

  • Reimagining the African heritage in short stories

    Felipe Fanuel Xavier Rodrigues
    635-653
    DOI: https://doi.org/10.12957/matraga.2019.42396

  • Black reason and the romantic project: double face of the novel Úrsula (1859), by Maria Firmina dos Reis

    Luiz Henrique Silva de Oliveira
    654-971
    DOI: https://doi.org/10.12957/matraga.2019.42343

  • Eroticism and representation of the black body in ‘Terra negra’, by Cristiane Sobral

    Henrique Marques Samyn
    672-687
    DOI: https://doi.org/10.12957/matraga.2019.42336

  • Njinga Mbandi: From Historical Silence to Contemporary Fictional Recreations

    Roberta Guimarães Franco
    688-704
    DOI: https://doi.org/10.12957/matraga.2019.42389

  • Afrodescendant and gender identities in 'Americanah', by Chimamanda Ngozi Adichie: dialogues and reflections from the creation of Ifemelu’s blog

    Milaynne Christina Barros do Nascimento, Elio Ferreira de Souza
    705-722
    DOI: https://doi.org/10.12957/matraga.2019.42270

INTERVIEW/TESTIMONIAL

  • Interview with Inocência Mata

    Claudia Amorim
    724-735
    DOI: https://doi.org/10.12957/matraga.2019.45427

Reviews

  • “Aversão oficial: resumida” - a new perspective on favelados

    Christiane Fontinha de Alcantara
    738-742
    DOI: https://doi.org/10.12957/matraga.2019.41920

  • Theatre and Dictatorship in the Luso-Hispanic World

    Claudio de Souza Castro Filho
    743-747
    DOI: https://doi.org/10.12957/matraga.2019.39235

  • Guest editors and contributors

    748-755
    DOI: https://doi.org/10.12957/matraga.2019.48025

  • About this issue

    487-494
    DOI: https://doi.org/10.12957/matraga.2019.48024