Images, testimonies and archives:

the cinematographic representation of genocides, massacres and dictatorships

Authors

DOI:

https://doi.org/10.12957/revmar.2024.88915

Keywords:

Presentación

Abstract

Presentation. Revista Maracanan, N. 37 - "Images, testimonies and archives: the cinematic representation of genocides, massacres and dictatorships", p. 11-21, Sept.-Dec. 2024.

Author Biographies

Gilda Bevilacqua, University of Buenos Aires

Professor at the University of Buenos Aires, Faculty of Philosophy and Letters. Doctor and Professor of Media Education and Higher Education in History at the University of Buenos Aires (UBA). Postdoctoral position at the National Scientific and Technical Research Council (CONICET).

Lior Zylberman, University of Buenos Aires; National University of Tres de Febrero

Full Professor at the University of Buenos Aires, Faculty of Architecture, Design and Urbanism. PhD in Social Sciences from the University of Buenos Aires; Master in Communication and Culture from the University of Buenos Aires. Researcher at the National Scientific and Technical Research Council (CONICET) and the Center for Genocide Studies at the National University of Tres de Febrero.

References

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BURUCÚA, J. E.; KWIATKOWSKI, N. “Cómo sucedieron estas cosas”. representar masacres y genocidios. Buenos Aires; Madrid: Katz, 2014.

FEIERSTEIN, D. Introducción a los estudios sobre genocidio. Ciudad de Mexico: FCE; Eduntref, 2016.

FERRO, M. Historia Contemporánea y Cine. Madrid: Ariel, 2000.

FRIEZE, D.-L. Three films, one genocide: Remembering the Armenian Genocide through Ravished Armenia(s). In: ELTRINGHAM, N.; MACLEAN, P. (Orgs.). Remembering Genocide. London: Routledge, 2014.

GOLDSTEIN, D.; JARDIM, J.; JAUBERT, A. Vietnam. Laboratorio para el genocidio. Buenos Aires: Ciencia Nueva, 1972.

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LEMKIN, R. El dominio del Eje en la Europa ocupada. Buenos Aires: Prometeo, 2009.

PONCHAUD, F. Camboya a Sangre y Fuego (año cero). Buenos Aires: Goyanarte, 1978.

ROSENSTONE, R. El pasado en imágenes. El desafío del cine a nuestra idea de la historia. Madrid: Ariel, 1997.

ROUSSO, H. The Vichy Syndrome: History and Memory in France since 1944. Cambridge: Harvard University Press, 1991.

SANCHEZ-BIOSCA, V. Cine de historia, cine de memoria. Madrid: Cátedra, 2006.

TORCHIN, L. Since we forgot: remembrance and recognition of the Armenian Genocide in virtual archives. In: GUERIN, F.; HALLAS, R. (Orgs.). The Image and The Witness. Trauma, Memory and Visual Culture. New York: Wallflower, 2007.

TORCHIN, L. To Acquaint America with Ravished Armenia. In: Creating the Witness. Documenting Genocide on Film, Video, and the Internet. Minneapolis: University of Minnesota Press, 2012.

ZYLBERMAN, L. Memoria y olvido del genocidio armenio. El estreno en Argentina de Subasta de almas (1919). Vivomatografías. Revista de estudios sobre precine y cine silente en Latinoamérica, n. 5, 2019.

ZYLBERMAN, L. Genocidio y cine documental. Buenos Aires: EDUNTREF, 2022.

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Published

2024-12-31

How to Cite

Bevilacqua, G., & Zylberman, L. (2024). Images, testimonies and archives:: the cinematographic representation of genocides, massacres and dictatorships. Revista Maracanan, (37), 11–21. https://doi.org/10.12957/revmar.2024.88915

Issue

No. 37 (2024): Images, testimonies and archives: the cinematic representation of genocides, massacres and dictatorships

Section

Presentation

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Copyright (c) 2024 Gilda Bevilacqua, Lior Zylberman

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