Submissions
Submission Preparation Checklist
As part of the submission process, authors are required to check off their submission's compliance with all of the following items, and submissions may be returned to authors that do not adhere to these guidelines.- The contribution must present results from academic research, must be original and unpublished, and must not be under consideration for publication by another journal;
- Authors must observe a one-year interval before making a new submission to the journal;
- At least one of the authors must hold a doctoral degree (PhD);
- All authorship information must be removed from the manuscript to ensure a Blind Peer Review, and entered exclusively in the Author Profile and in the List of Co-authors during submission, according to the instructions available in Guidelines for Author Metadata and Blind Peer Review. The following information is mandatory: name, email, institutional affiliation, and ORCID;
- Submitted works must use the provided template, following the requirements described in the Author Guidelines. Failure to comply with the guidelines will preclude the evaluation process.
- It is the exclusive responsibility of the authors to obtain permission to use materials protected by Copyright Law (Law No. 9.610/98);
- Authors take full responsibility for all ethical approvals required to conduct the research and affirm that they possess the necessary approvals for publication.
- Authors declare that they follow the recommendations provided by the CNPq's Policy on Integrity in Scientific Activity regarding the writing of articles.
- Authors declare that they follow the recommendations provided by the Policy on the Use of Artificial Intelligence (AI) in the Writing of Scientific Documents, updated annually;
- The authors commit to fulfilling the editorial team's requests regarding the text and images whenever asked, ensuring compliance with the specified deadlines.
Full Thematic Articles
This section receives articles related to the issue's thematic call for papers, available under the Announcements tab. The content of the works is the sole responsibility of the authors.
Design, cultura e visualidade
Pesquisas que refletem sobre diferentes manifestações e meios da visualidade e tecnologias da imagem, bem como as relações do design com a história e a cultura material; aproxima as artes visuais de tecnologias digitais e investiga processos de imagem em movimento, produção gráfica, visualização de dados, inteligência artificial e design de interfaces. Aborda, ainda, investigações sobre a forma escrita, as relações entre escrita e imagem e o papel da escrita nos meios comunicacionais contemporâneos.
Design, política e subjetivação
Pesquisas que buscam investigar as relações do campo com o pensamento projetual e os processos de produção de conhecimentos, subjetivação e transformação social nas sociedades contemporâneas. Promove diálogos transversais com distintas áreas como educação, estudos culturais, sociologia e psicologia. Fomenta pesquisas embasadas em teorias críticas, metodologias participativas, abordagens experimentais, pesquisas-intervenção e historiografias exploratórias. Busca examinar os modos pelos quais o design manifesta, via discursos e práticas, inter-relações entre táticas de resistência política e mediações socioculturais.
Design, gestão e inovação
Pesquisas com ênfase em inovação e serviços, investigações sobre modos de gestão do conhecimento e processos decisórios. Pesquisas desta linha dialogam também com novos arranjos organizacionais para processos de produção e prestação de serviços e suas relações com novos materiais, em diálogo com campos correlatos como design socioambiental e tecnologias digitais.
Design, territorialidades e antropoceno
Pesquisas que investigam o fazer design no Antropoceno, o habitar e as territorialidades, junto a áreas como antropologia, filosofia, arquitetura, urbanismo e arte. Questionando o excepcionalismo humano característico do pensamento moderno, lança mão de abordagens situadas, sejam elas especulativas, críticas, colaborativas, cartográficas ou projetuais, buscando modos de imaginar, narrar, fabular, ficcionar e disputar caminhos para o porvir. Examinando o que caracteriza a época do “Homem” - o Antropoceno - repensa o design em uma dimensão cosmopolítica, atentando, junto às lutas sociais, para a matriz colonial de poder.
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As of 2025, the copyright for articles published in the Arcos Design journal belongs to their respective authors, who grant the journal the Right of First Publication of their work under a Creative Commons CC BY-NC-SA 4.0 License. Works published prior to 2025 remain under the copyright of the journal.
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