ON DISCOURSE AND WORDS FRAGMENTATION: ANTONIO LOBO ANTUNES´ DELIRIOUS WRITING
Keywords:
Lobo Antunes, postmodernism, discursivityAbstract
António Lobo Antunes’ fictional writing presents a unique style since his first published novels. Author of nearly three dozen works, including novels and chronicles, his novelistic fiction, particularly from his last phase, is characterized by a fragmented writing, which includes, among others, discursive linearity disruption, decomposition of words, and unusual punctuation. This innovative style and the graphic layout chosen for his writings evoke a feeling of awkwardness, enhanced by traces of postmodern aesthetics as polyphony, and metafictional discourse, among others. This twist in the author’s discursive style brings about rich images evoked by figures of speech such as metaphors, hyperbole, hypallage, and repetitions (refrains), resulting in a delirious and imagistic discourse. In this paper, various of these features are characterized in connection to some of his novels, particularly the most recent one: “Não é meia noite quem quer”.
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