THE PERFORMANCE OF THE ACTOR AND THE STORY OF WAR IN THE COMPANY AMOK

Authors

  • ANDRÉA STELZER

DOI:

https://doi.org/10.12957/polemica.2010.2763

Abstract

This article aims to relate the performance of the actor with many forms of narrative on the scene, as a dramaturgy built upon the creative work of the actor. In this case it will be investigated the process of creation of the actors in the narratives of war of Amok: Dragão (2008) and Kabul (2009) as a poetic transposition of that reality. How create teatralite and talk about the private life of people from a distant and cruel world? The narratives taken from Internet sites, testimonies and images were appropriated by the actors for a montage of boards. The performance of the actor acts like an insert dramaturgy by the gestuality that creates micro-narratives spacing the text.

Keywords: performance, actor, narrative

Author Biography

ANDRÉA STELZER

Professora de teatro da Rede Municipal e doutoranda em teatro pela UNIRIO

Published

2012-03-23

How to Cite

STELZER, A. (2012). THE PERFORMANCE OF THE ACTOR AND THE STORY OF WAR IN THE COMPANY AMOK. POLÊM!CA, 9(2), 155 a 160. https://doi.org/10.12957/polemica.2010.2763

Issue

Section

CADERNO IMAGEM