Trier directed the comedy. Any body who's even a little familiar with the work of the Dane, at the primary news of this, should at least be blown away, and many more correct - not believe the source. Although the fact is, why don't you believe? Trier, for starters, is a pacesetter, a man who doesn't like walking the beaten path and literally re-opens cinema along with his every film. Consider? You should a comedy?
But Trier always knew ways to outwit everyone and offer this sort of trick how the jaw often went into an impartial walk. He could not change himself this time either ... Comedy? Well, of course. Did anyone really expect a comedy inside the standard, classic, disgustingly banal understanding on the word? Lars is unlike that. Instead of the this, he slipped the naive viewer into fusion from comedy, social drama, and in many cases some semblance of thriller or perhaps a detective. The end result was a movie that's outrageously topical: about losers and selfish people; about how precisely people build and destroy walls of misunderstanding in relationships; a show regarding the the fear of not loved, 123movies well, also about the office atmosphere, which from any sane person, even very quickly, will make a clerk, featuring its internal cockroaches how big is a tiny Godzilla.
At first glance, it may seem that the film is exceedingly classy and poor in good fresh ideas, just like a church rat for dollars. But it wasn't there. The content supposed to be a sitcom turned into a very deep philosophical parable with social connotations. As well, nobody deterred humor from the action, and you can even find a couple of moments once you laugh - not merely somehow maliciously and deeply inside of your consciousness, but it's also possible to frankly give your emotions a voice.
Trier, as always, plays with the viewer, leaving essentially the most delicious towards finale, and through the plot, its formation and setting, only throws small pieces, forcing emotions to operate, along with the go to rest for some time being. Only after the ultimate credits, once you sit in bewilderment trying to understand what the heck it absolutely was now, waste a place of work and grey mosaic slowly begin to make around my head, in the entire picture of and that is buried what only by far the most attentive and thoughtful viewer can see.
Trier understands how to create the impression of a good storyteller and perhaps if he manipulates, he is doing it just for the advantage of the viewer himself. Perhaps this is the reason the actors as part of his paintings always play to the extent that they don't create the sense of falsity and insincerity. Often it even looks like on the screen there will be the most real clerks, losers, actors, bosses as well as other inhabitants of a little stuffy office inside picture. Trier doesn't have expensive, but what will there be, just at the very least some interesting decorations. In The Biggest Boss, we come across a setting which enables the floor in Manderlea and Dogville look fascinating while in the background. Not less than, it doesn't choke like a smaller, cramped and kind of boring office space.
Realism is above all, therefore music is also useless. Should we often hear music in the real world, just talking to someone or considering our daily bread? It truly is unlikely. ... So do not hear from Trier. Scenery, music, actors ... oh yeah! The latest feature of the maestro also appeared in the latest film. Now young drivers . provides for a storyteller, happening stage along with comments at the start, end and middle of the picture. Such performances look quite cute and charming, crowning the film in the same way as a little but bright cherry crowns the top a sizable and exquisite cake.
Well, and a couple of words really should be said about your next invention in the Danish genius - "Automavision” ;.A real cool thing. After the very first reports how the entire film was filmed devoid of the participation on the operator, I somehow expected more tin, much more than I received in the end. Well, yes, in places faces of individuals are halved, your camera would not show the interlocutors, but some sort of nonsense, but all at once everything isn't going to bother at all, only brings another area of realism on the picture.
Conclusion: Trier filmed a film that has been passable for himself and strong for every other director, which leaves sense of understatement and depth, to arrive at which you need to spend time and effort.
Good comedies are never harmless
por Leora Earl (2021-04-07)
Trier directed the comedy. Any body who's even a little familiar with the work of the Dane, at the primary news of this, should at least be blown away, and many more correct - not believe the source. Although the fact is, why don't you believe? Trier, for starters, is a pacesetter, a man who doesn't like walking the beaten path and literally re-opens cinema along with his every film. Consider? You should a comedy?But Trier always knew ways to outwit everyone and offer this sort of trick how the jaw often went into an impartial walk. He could not change himself this time either ... Comedy? Well, of course. Did anyone really expect a comedy inside the standard, classic, disgustingly banal understanding on the word? Lars is unlike that. Instead of the this, he slipped the naive viewer into fusion from comedy, social drama, and in many cases some semblance of thriller or perhaps a detective. The end result was a movie that's outrageously topical: about losers and selfish people; about how precisely people build and destroy walls of misunderstanding in relationships; a show regarding the the fear of not loved, 123movies well, also about the office atmosphere, which from any sane person, even very quickly, will make a clerk, featuring its internal cockroaches how big is a tiny Godzilla.
At first glance, it may seem that the film is exceedingly classy and poor in good fresh ideas, just like a church rat for dollars. But it wasn't there. The content supposed to be a sitcom turned into a very deep philosophical parable with social connotations. As well, nobody deterred humor from the action, and you can even find a couple of moments once you laugh - not merely somehow maliciously and deeply inside of your consciousness, but it's also possible to frankly give your emotions a voice.
Trier, as always, plays with the viewer, leaving essentially the most delicious towards finale, and through the plot, its formation and setting, only throws small pieces, forcing emotions to operate, along with the go to rest for some time being. Only after the ultimate credits, once you sit in bewilderment trying to understand what the heck it absolutely was now, waste a place of work and grey mosaic slowly begin to make around my head, in the entire picture of and that is buried what only by far the most attentive and thoughtful viewer can see.
Trier understands how to create the impression of a good storyteller and perhaps if he manipulates, he is doing it just for the advantage of the viewer himself. Perhaps this is the reason the actors as part of his paintings always play to the extent that they don't create the sense of falsity and insincerity. Often it even looks like on the screen there will be the most real clerks, losers, actors, bosses as well as other inhabitants of a little stuffy office inside picture. Trier doesn't have expensive, but what will there be, just at the very least some interesting decorations. In The Biggest Boss, we come across a setting which enables the floor in Manderlea and Dogville look fascinating while in the background. Not less than, it doesn't choke like a smaller, cramped and kind of boring office space.
Realism is above all, therefore music is also useless. Should we often hear music in the real world, just talking to someone or considering our daily bread? It truly is unlikely. ... So do not hear from Trier. Scenery, music, actors ... oh yeah! The latest feature of the maestro also appeared in the latest film. Now young drivers . provides for a storyteller, happening stage along with comments at the start, end and middle of the picture. Such performances look quite cute and charming, crowning the film in the same way as a little but bright cherry crowns the top a sizable and exquisite cake.
Well, and a couple of words really should be said about your next invention in the Danish genius - "Automavision” ;.A real cool thing. After the very first reports how the entire film was filmed devoid of the participation on the operator, I somehow expected more tin, much more than I received in the end. Well, yes, in places faces of individuals are halved, your camera would not show the interlocutors, but some sort of nonsense, but all at once everything isn't going to bother at all, only brings another area of realism on the picture.
Conclusion: Trier filmed a film that has been passable for himself and strong for every other director, which leaves sense of understatement and depth, to arrive at which you need to spend time and effort.