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Good comedies aren't harmless

por Junko O'Keefe (2021-04-07)

Trier directed the comedy. Any individual who's going to be even just a little familiar while using work on the Dane, at the first news in this, should at least be very impressed, and much more correct - not believe the source. Although the truth is, you will want to believe? Trier, for starters, is a pacesetter, a guy who doesn't like simply to walk the beaten path and literally re-opens cinema together with his every film. So why don't you? You should a comedy?

But Trier always knew how to outwit everyone and give a real trick that this jaw often went into an unbiased walk. He wouldn't change himself on this occasion either ... Comedy? Well, of course. Did anyone really expect a comedy while in the standard, classic, disgustingly banal understanding of the word? Lars is nothing like that. Instead of most this, he slipped the naive viewer into fusion from comedy, social drama, as well as some semblance of sometimes a thriller or even a detective. The result would be a movie which was outrageously topical: about losers and selfish people; about precisely how people build and destroy walls of misunderstanding in relationships; a motion picture in regards to the concern about not loved, well, also about the workplace atmosphere, which from the sane person, even quickly, will make a clerk, using its internal cockroaches how big the a compact Godzilla.

When you're beginning, it may seem the fact that film may be very simple and easy poor in good fresh ideas, similar to a church rat for dollars. But it was not there. The concepts supposed being a sitcom became a somewhat deep philosophical parable with social connotations. As well, nobody deterred humor from the action, and there are also several moments once you laugh - not simply somehow maliciously and deeply as part of your consciousness, 123movies but additionally you can frankly give your feelings a voice.

Trier, of course, plays with all the viewer, leaving probably the most delicious to the finale, and while in the plot, its formation and setting, only throws small pieces, forcing emotions to function, as well as visit rest for the time being. Only after the last credits, when you sit in bewilderment and attempt to understand what the hell it had been now, pieces of an office building and grey mosaic slowly begin to form inside my head, in the entire picture of and that is buried what only the most attentive and thoughtful viewer can see.

Trier learns how to create the sense of a genuine storyteller and also if he manipulates, he does it just for major benefit of the viewer himself. Perhaps for this reason the actors in her paintings always play in such a way that they do not create the sense of falsity and insincerity. Sometimes it even entirely possible that on the watch's screen there would be the most real clerks, losers, actors, bosses and also other inhabitants of a small stuffy office inside picture. Trier doesn't have expensive, but what will there be, just at least some interesting decorations. In The Biggest Boss, we see a setting which makes the bottom in Manderlea and Dogville look quite interesting inside the background. At least, it doesn't choke like a tiny, cramped and form of boring office space.

Realism is certainly, therefore music is also useless. Do we often hear music in actual life, just speaking to someone or thinking of our daily bread? It can be unlikely. ... So unfortunately we cannot listen to Trier. Scenery, music, actors ... oh yeah! A different feature of the maestro also appeared in the new film. Now young drivers . acts as a storyteller, occurring stage together with his comments at the beginning, end and middle of the picture. Such performances look quite cute and charming, crowning the film in the same manner as a compact but bright cherry crowns the top of a considerable and exquisite cake.

Well, and a couple of words must be said about the following invention of your Danish genius - "Automavision” ;.This kind of cool thing. After the earliest reports the entire film was filmed minus the participation of the operator, I somehow expected more tin, much above I received within the end. Well, yes, in places the faces of men and women are halved, your camera would not show the interlocutors, but some kind of nonsense, but simultaneously everything would not bother in the least, but only brings another percentage of realism into your picture.

Conclusion: Trier filmed a movie that had been passable for himself and robust for almost every other director, which leaves a feeling of understatement and depth, to access which it is advisable to spend time and effort.