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Good comedies are never harmless

por Tomoko Edmunds (2021-04-06)

Trier directed the comedy. Anybody who's even a little bit familiar while using the work of the Dane, at the first news in this, should not less than be amazed, sometimes more correct - not believe the source. Although in truth, why don't you believe? Trier, firstly, is a pacesetter, a man who doesn't like walking the beaten path and literally re-opens cinema in reference to his every film. So why not? Why don't you a comedy?

But Trier always knew the way to outwit everyone and provides this type of trick the fact that jaw often went into a completely independent walk. He could not change himself this time around either ... Comedy? Well, of course. Did anyone really expect a comedy inside standard, classic, disgustingly banal understanding with the word? Lars is dislike that. Instead coming from all this, he slipped the naive viewer into fusion from comedy, social drama, as well as some semblance of whether thriller or even a detective. The actual result would have been a movie that has been outrageously topical: about losers and selfish people; about how exactly people build and destroy walls of misunderstanding in relationships; your favorite shows in regards to the anxiety about not being loved, well, also about a cubicle atmosphere, which from your sane person, even in rapid sequence, will produce a clerk, featuring its internal cockroaches the length of a tiny Godzilla.

When you're getting started, it could seem which the film can be quite basic and poor in good fresh ideas, such as a church rat for dollars. But it had not been there. The fact that was supposed to be a sitcom converted into a very deep philosophical parable with social connotations. Simultaneously, nobody not power on humor from the experience, and you will even find several moments while you laugh - besides somehow maliciously and deeply inside of your consciousness, but additionally you can frankly give all those feelings a voice.

Trier, of course, plays together with the viewer, leaving the most delicious towards the finale, and during the plot, its formation and setting, only throws small pieces, forcing emotions to your workplace, and also the head to rest for the time being. Only after a final credits, if you sit in bewilderment and try to understand what the heck it had been now, components of a business office and gray mosaic slowly begin to make around my head, in the entire picture of that's buried what only probably the most attentive and thoughtful viewer can see.

Trier is able to create the sense of an honest storyteller as well as if he manipulates, he does it only for the main advantage of the viewer himself. Perhaps for this reason the actors in her paintings always play to the extent that they do not create the impression of falsity and insincerity. It sometimes even entirely possible that on the watch's screen there will be the most real clerks, losers, actors, bosses along with inhabitants of a tiny stuffy office while in the picture. Trier doesn't need expensive, but what will there be, just at the very least some interesting decorations. In The Biggest Boss, there are a setting which makes the floor 123movies in Manderlea and Dogville look quite interesting inside background. At least, no choke like a little, cramped and type of boring office space.

Realism is especially, therefore music can also be useless. Do we often hear music in true to life, just conversing with someone or thinking of our daily bread? It can be unlikely. ... So and we don't hear from Trier. Scenery, music, actors ... oh yeah! A different feature from the maestro also appeared in the revolutionary film. Now also, he acts as a storyteller, taking place stage along with his comments at the beginning, end and core of the picture. Such performances look quite cute and charming, crowning the film just like as a compact but bright cherry crowns the top a sizable and delightful cake.

Well, and a number of words need to be said about the next invention in the Danish genius - "Automavision” ;.This kind of cool thing. After the very first reports the fact that entire film was filmed minus the participation with the operator, I somehow expected more tin, much over I received within the end. Well, yes, in places the faces of men and women are halved, you won't show the interlocutors, but some type of nonsense, but concurrently everything isn't going to bother in the least, but only brings another element of realism into the picture.

Conclusion: Trier filmed a film that's passable for himself and robust for any other director, which leaves feeling of understatement and depth, to arrive at which you must spend time and effort and effort.