Trier directed the comedy. Any body that is even a bit familiar together with the work of the Dane, at the 1st news in this, should no less than be amazed, and many more correct - not believe the source. Although in fact, you should believe? Trier, first off, is a frontrunner, someone who doesn't like simply to walk the beaten path and literally re-opens cinema along with every film. Consider? Why don't you a comedy?
But Trier always knew tips on how to outwit everyone and 123movies give this kind of trick the fact that jaw often went into an independent walk. He didn't change himself this time around either ... Comedy? Well, of course. Did anyone really expect a comedy inside standard, classic, disgustingly banal understanding of your word? Lars is in contrast to that. Instead coming from all this, he slipped the naive viewer into fusion from comedy, social drama, and perhaps some semblance of sometimes a thriller or a detective. The results was a movie that has been outrageously topical: about losers and selfish people; about precisely how people build and destroy walls of misunderstanding in relationships; your favorite shows regarding the nervous about not being loved, well, also about any office atmosphere, which through the sane person, even very quickly, will create a clerk, featuring a internal cockroaches the size of a compact Godzilla.
In the beginning, it could seem the fact that film is exceedingly basic and poor in good fresh ideas, just like a church rat for dollars. But it had not been there. The concepts supposed to become a sitcom transformed into a fairly deep philosophical parable with social connotations. As well, not one person put off humor from the action, and you can even find a number of moments after you laugh - not only somehow maliciously and deeply inside your consciousness, but you may also frankly give all those feelings a voice.
Trier, as always, plays with the viewer, leaving the most delicious to the finale, and in the course of the plot, its formation and setting, only throws small pieces, forcing emotions to work, and the go to rest for plenty of time being. Only after the ultimate credits, while you sit in bewilderment and then try to understand what the heck that it was now, components of an office building and gray mosaic slowly begin to build around my head, in the picture of which happens to be buried what only probably the most attentive and thoughtful viewer can see.
Trier learns how to create the impression of an honest storyteller and in some cases if he manipulates, he does it mainly for the main advantage of the viewer himself. Perhaps this is the reason the actors within his paintings always play such that they just do not create the sense of falsity and insincerity. Sometimes it even entirely possible that on the screen there include the most real clerks, losers, actors, bosses along with other inhabitants of a tiny stuffy office while in the picture. Trier doesn't have expensive, but what possibly there is, just at the very least some interesting decorations. In The Biggest Boss, we percieve a setting that creates a floor in Manderlea and Dogville look fascinating while in the background. No less than, this doesn't happen choke like a tiny, cramped and sort of boring office space.
Realism is especially, therefore music is also useless. Can we often hear music in actual life, just speaking to someone or pondering our daily bread? It's unlikely. ... So we do not hear from Trier. Scenery, music, actors ... ok last one! The latest feature of the maestro also appeared in the brand new film. Now actually is well liked provides for a storyteller, taking place stage along with comments in the beginning, end and core picture. Such performances look quite cute and charming, crowning the film in the same way as a smallish but bright cherry crowns the top of a huge and beautiful cake.
Well, and several words ought to be said about our next invention with the Danish genius - "Automavision” ;.A real cool thing. After the initial reports the fact that entire film was filmed with no participation from the operator, I somehow expected more tin, much a lot more than I received in the end. Well, yes, in places faces of men and women are halved, your camera does not show the interlocutors, but some kind of nonsense, but all at once everything will not bother in the least, but only brings another component of realism into your picture.
Conclusion: Trier filmed a show that had been passable for himself and strong for every other director, which leaves feeling of understatement and depth, to get to which it is advisable to spend time and effort.
Good comedies are not harmless
por Danielle Wheare (2021-04-06)
Trier directed the comedy. Any body that is even a bit familiar together with the work of the Dane, at the 1st news in this, should no less than be amazed, and many more correct - not believe the source. Although in fact, you should believe? Trier, first off, is a frontrunner, someone who doesn't like simply to walk the beaten path and literally re-opens cinema along with every film. Consider? Why don't you a comedy?But Trier always knew tips on how to outwit everyone and 123movies give this kind of trick the fact that jaw often went into an independent walk. He didn't change himself this time around either ... Comedy? Well, of course. Did anyone really expect a comedy inside standard, classic, disgustingly banal understanding of your word? Lars is in contrast to that. Instead coming from all this, he slipped the naive viewer into fusion from comedy, social drama, and perhaps some semblance of sometimes a thriller or a detective. The results was a movie that has been outrageously topical: about losers and selfish people; about precisely how people build and destroy walls of misunderstanding in relationships; your favorite shows regarding the nervous about not being loved, well, also about any office atmosphere, which through the sane person, even very quickly, will create a clerk, featuring a internal cockroaches the size of a compact Godzilla.
In the beginning, it could seem the fact that film is exceedingly basic and poor in good fresh ideas, just like a church rat for dollars. But it had not been there. The concepts supposed to become a sitcom transformed into a fairly deep philosophical parable with social connotations. As well, not one person put off humor from the action, and you can even find a number of moments after you laugh - not only somehow maliciously and deeply inside your consciousness, but you may also frankly give all those feelings a voice.
Trier, as always, plays with the viewer, leaving the most delicious to the finale, and in the course of the plot, its formation and setting, only throws small pieces, forcing emotions to work, and the go to rest for plenty of time being. Only after the ultimate credits, while you sit in bewilderment and then try to understand what the heck that it was now, components of an office building and gray mosaic slowly begin to build around my head, in the picture of which happens to be buried what only probably the most attentive and thoughtful viewer can see.
Trier learns how to create the impression of an honest storyteller and in some cases if he manipulates, he does it mainly for the main advantage of the viewer himself. Perhaps this is the reason the actors within his paintings always play such that they just do not create the sense of falsity and insincerity. Sometimes it even entirely possible that on the screen there include the most real clerks, losers, actors, bosses along with other inhabitants of a tiny stuffy office while in the picture. Trier doesn't have expensive, but what possibly there is, just at the very least some interesting decorations. In The Biggest Boss, we percieve a setting that creates a floor in Manderlea and Dogville look fascinating while in the background. No less than, this doesn't happen choke like a tiny, cramped and sort of boring office space.
Realism is especially, therefore music is also useless. Can we often hear music in actual life, just speaking to someone or pondering our daily bread? It's unlikely. ... So we do not hear from Trier. Scenery, music, actors ... ok last one! The latest feature of the maestro also appeared in the brand new film. Now actually is well liked provides for a storyteller, taking place stage along with comments in the beginning, end and core picture. Such performances look quite cute and charming, crowning the film in the same way as a smallish but bright cherry crowns the top of a huge and beautiful cake.
Well, and several words ought to be said about our next invention with the Danish genius - "Automavision” ;.A real cool thing. After the initial reports the fact that entire film was filmed with no participation from the operator, I somehow expected more tin, much a lot more than I received in the end. Well, yes, in places faces of men and women are halved, your camera does not show the interlocutors, but some kind of nonsense, but all at once everything will not bother in the least, but only brings another component of realism into your picture.
Conclusion: Trier filmed a show that had been passable for himself and strong for every other director, which leaves feeling of understatement and depth, to get to which it is advisable to spend time and effort.