Trier directed the comedy. Anyone who's even a little bit familiar while using work from the Dane, at the first news with this, should at the very least be amazed, sometimes more correct - not believe the source. Although the truth is, have you thought to believe? Trier, for starters, is an innovator, someone who isn't keen on simply to walk the beaten path and literally re-opens cinema along with every film. So why don't you? You will want to a comedy?
But Trier always knew how you can outwit everyone and give such a trick that the jaw often went into an impartial walk. He didn't change himself these times either ... Comedy? Well, of course. Did anyone really expect a comedy while in the standard, classic, disgustingly banal understanding with the word? Lars is unlike that. Instead of most this, he slipped the naive viewer into fusion from comedy, social drama, and in many cases some semblance of whether thriller or simply a detective. The effect had been a movie that's outrageously topical: about losers and selfish people; about how people build and destroy walls of misunderstanding in relationships; a motion picture with regards to the concern about not being loved, well, also about work atmosphere, which from any sane person, even in a short time, will generate a clerk, which consists of internal cockroaches the dimensions of a smaller Godzilla.
At first glance, it may seem how the film is very simple and easy and poor in good fresh ideas, just like a church rat for dollars. But it had not been there. The content supposed to become sitcom became a rather deep philosophical parable with social connotations. As well, no person turned off humor from the experience, and you can even find a couple of moments after you laugh - but not only somehow maliciously and deeply inside of your consciousness, but also you can frankly give how you feel a voice.
Trier, of course, plays while using viewer, leaving the best delicious towards the finale, and during the plot, its formation and setting, only throws small pieces, forcing emotions to work, as well as the look at rest for any time being. Only after one more credits, 123movies after you sit in bewilderment and then try to understand what the heck it absolutely was now, bits of a workplace and gray mosaic slowly begin to form inside my head, in the overall picture of that is buried what only by far the most attentive and thoughtful viewer can see.
Trier understands how to create the impression of an honest storyteller and in some cases if he manipulates, he does it only for the advantage of the viewer himself. Perhaps this is the reason the actors in her paintings always play to the extent that they just do not create the impression of falsity and insincerity. Sometimes it even seems that on the screen there are definitely the most real clerks, losers, actors, bosses and other inhabitants of a little stuffy office in the picture. Trier doesn't have expensive, but what possibly there is, just at the least some interesting decorations. In The Biggest Boss, there are an environment that produces the ground in Manderlea and Dogville look fascinating inside background. At least, it doesn't choke like a compact, cramped and kind of boring office space.
Realism is certainly, therefore music can be useless. Will we often hear music in real world, just actually talking to someone or contemplating our daily bread? It really is unlikely. ... So we do not listen to Trier. Scenery, music, actors ... by the way! A fresh feature in the maestro also appeared in the brand new film. Now young drivers . provides a storyteller, going on stage regarding his comments before you start, end and middle of the picture. Such performances look quite cute and charming, crowning the film in the same manner as a tiny but bright cherry crowns the top a large and delightful cake.
Well, and a number of words should be said about the next invention on the Danish genius - "Automavision” ;.This kind of cool thing. After the primary reports which the entire film was filmed minus the participation from the operator, I somehow expected more tin, much over I received within the end. Well, yes, in places the faces of people are halved, the camera doesn't show the interlocutors, but an nonsense, but as well everything would not bother whatsoever, but only brings another component of realism into your picture.
Conclusion: Trier filmed the big game that's passable for himself and strong for any director, which leaves feeling of understatement and depth, to access which you should spend time and effort.
Good comedies are never harmless
por Shannan Hodel (2021-04-06)
Trier directed the comedy. Anyone who's even a little bit familiar while using work from the Dane, at the first news with this, should at the very least be amazed, sometimes more correct - not believe the source. Although the truth is, have you thought to believe? Trier, for starters, is an innovator, someone who isn't keen on simply to walk the beaten path and literally re-opens cinema along with every film. So why don't you? You will want to a comedy?But Trier always knew how you can outwit everyone and give such a trick that the jaw often went into an impartial walk. He didn't change himself these times either ... Comedy? Well, of course. Did anyone really expect a comedy while in the standard, classic, disgustingly banal understanding with the word? Lars is unlike that. Instead of most this, he slipped the naive viewer into fusion from comedy, social drama, and in many cases some semblance of whether thriller or simply a detective. The effect had been a movie that's outrageously topical: about losers and selfish people; about how people build and destroy walls of misunderstanding in relationships; a motion picture with regards to the concern about not being loved, well, also about work atmosphere, which from any sane person, even in a short time, will generate a clerk, which consists of internal cockroaches the dimensions of a smaller Godzilla.
At first glance, it may seem how the film is very simple and easy and poor in good fresh ideas, just like a church rat for dollars. But it had not been there. The content supposed to become sitcom became a rather deep philosophical parable with social connotations. As well, no person turned off humor from the experience, and you can even find a couple of moments after you laugh - but not only somehow maliciously and deeply inside of your consciousness, but also you can frankly give how you feel a voice.
Trier, of course, plays while using viewer, leaving the best delicious towards the finale, and during the plot, its formation and setting, only throws small pieces, forcing emotions to work, as well as the look at rest for any time being. Only after one more credits, 123movies after you sit in bewilderment and then try to understand what the heck it absolutely was now, bits of a workplace and gray mosaic slowly begin to form inside my head, in the overall picture of that is buried what only by far the most attentive and thoughtful viewer can see.
Trier understands how to create the impression of an honest storyteller and in some cases if he manipulates, he does it only for the advantage of the viewer himself. Perhaps this is the reason the actors in her paintings always play to the extent that they just do not create the impression of falsity and insincerity. Sometimes it even seems that on the screen there are definitely the most real clerks, losers, actors, bosses and other inhabitants of a little stuffy office in the picture. Trier doesn't have expensive, but what possibly there is, just at the least some interesting decorations. In The Biggest Boss, there are an environment that produces the ground in Manderlea and Dogville look fascinating inside background. At least, it doesn't choke like a compact, cramped and kind of boring office space.
Realism is certainly, therefore music can be useless. Will we often hear music in real world, just actually talking to someone or contemplating our daily bread? It really is unlikely. ... So we do not listen to Trier. Scenery, music, actors ... by the way! A fresh feature in the maestro also appeared in the brand new film. Now young drivers . provides a storyteller, going on stage regarding his comments before you start, end and middle of the picture. Such performances look quite cute and charming, crowning the film in the same manner as a tiny but bright cherry crowns the top a large and delightful cake.
Well, and a number of words should be said about the next invention on the Danish genius - "Automavision” ;.This kind of cool thing. After the primary reports which the entire film was filmed minus the participation from the operator, I somehow expected more tin, much over I received within the end. Well, yes, in places the faces of people are halved, the camera doesn't show the interlocutors, but an nonsense, but as well everything would not bother whatsoever, but only brings another component of realism into your picture.
Conclusion: Trier filmed the big game that's passable for himself and strong for any director, which leaves feeling of understatement and depth, to access which you should spend time and effort.