Trier directed the comedy. Any body who is even slightly familiar with the work of the Dane, at the very first news in this, should at least be blown away, sometimes more correct - not believe the source. Although in fact, you will want to believe? Trier, first off, is a frontrunner, a person who does not like simply to walk the beaten path and literally re-opens cinema along with his every film. Filter systems? Why don't you a comedy?
But Trier always knew how to outwit everyone and provide a really trick how the jaw often went into an impartial walk. He wouldn't change himself this time either ... Comedy? Well, of course. Did anyone really expect a comedy inside standard, classic, disgustingly banal understanding on the word? Lars is as opposed to that. Instead of the this, he slipped the naive viewer into fusion from comedy, social drama, as well as some semblance of the thriller or maybe a detective. The actual result was a movie that had been outrageously topical: about losers and selfish people; about how exactly people build and destroy walls of misunderstanding in relationships; the big game about the fear of not being loved, well, also about any office atmosphere, which from any sane person, even in a short time, will come up with a clerk, with its internal cockroaches how big a compact Godzilla.
When you're beginning, it will seem the fact that film may be very simple and easy poor in good fresh ideas, such as a church rat for dollars. But it had not been there. The fact that was supposed to become a sitcom become an extremely deep philosophical parable with social connotations. At the same time, nobody not power on humor from the experience, and bankruptcy attorney las vegas a couple of moments if you laugh - besides somehow maliciously and deeply inside of your consciousness, but additionally you can frankly give all your other worries a voice.
Trier, bear in mind, plays with the viewer, leaving the best delicious towards finale, and for the duration of the plot, its formation and setting, only throws small pieces, forcing emotions to function, as well as the head to rest for the time being. Only after one more credits, while you sit in bewilderment and attempt to understand what the heck that it was now, fecal material an office building and gray mosaic slowly begin to create during my head, in the actual picture of which is buried what only probably the most attentive and thoughtful viewer can see.
Trier understands how to create the impression of a responsible storyteller and perhaps if he manipulates, he does it just for the benefit of the viewer himself. Perhaps this is the reason the actors in the paintings always play in such a way that they do not create the sense of falsity and insincerity. It often even looks like on the watch's screen there are the most real clerks, losers, actors, bosses as well as other inhabitants of a tiny stuffy office within the picture. Trier doesn't need expensive, but what could there be, just at least some interesting decorations. In The Biggest Boss, we view a setting generates the floor in Manderlea and Dogville look very interesting while in the background. At the very least, it won't choke like a little, cramped and types of boring office space.
Realism is first and foremost, 123movies therefore music is additionally useless. Should we often hear music in actual life, just speaking to someone or pondering our daily bread? It is unlikely. ... So unfortunately we cannot hear from Trier. Scenery, music, actors ... ok last one! The latest feature with the maestro also appeared in the modern film. Now he also provides a storyteller, going on stage in reference to his comments from the outset, end and center of the picture. Such performances look quite cute and charming, crowning the film just as as a smaller but bright cherry crowns the top a big and delightful cake.
Well, and some words needs to be said about the subsequent invention of your Danish genius - "Automavision” ;.This kind of cool thing. After the 1st reports how the entire film was filmed without having the participation in the operator, I somehow expected more tin, much above I received while in the end. Well, yes, in places faces of folks are halved, you will not show the interlocutors, but a nonsense, but concurrently everything won't bother by any means, only brings another part of realism into the picture.
Conclusion: Trier filmed a movie which had been passable for himself and robust for another director, which leaves feeling of understatement and depth, to access which you need to spend a long time and effort.
Good comedies are not harmless
por Sven Hoppe (2021-04-06)
Trier directed the comedy. Any body who is even slightly familiar with the work of the Dane, at the very first news in this, should at least be blown away, sometimes more correct - not believe the source. Although in fact, you will want to believe? Trier, first off, is a frontrunner, a person who does not like simply to walk the beaten path and literally re-opens cinema along with his every film. Filter systems? Why don't you a comedy?But Trier always knew how to outwit everyone and provide a really trick how the jaw often went into an impartial walk. He wouldn't change himself this time either ... Comedy? Well, of course. Did anyone really expect a comedy inside standard, classic, disgustingly banal understanding on the word? Lars is as opposed to that. Instead of the this, he slipped the naive viewer into fusion from comedy, social drama, as well as some semblance of the thriller or maybe a detective. The actual result was a movie that had been outrageously topical: about losers and selfish people; about how exactly people build and destroy walls of misunderstanding in relationships; the big game about the fear of not being loved, well, also about any office atmosphere, which from any sane person, even in a short time, will come up with a clerk, with its internal cockroaches how big a compact Godzilla.
When you're beginning, it will seem the fact that film may be very simple and easy poor in good fresh ideas, such as a church rat for dollars. But it had not been there. The fact that was supposed to become a sitcom become an extremely deep philosophical parable with social connotations. At the same time, nobody not power on humor from the experience, and bankruptcy attorney las vegas a couple of moments if you laugh - besides somehow maliciously and deeply inside of your consciousness, but additionally you can frankly give all your other worries a voice.
Trier, bear in mind, plays with the viewer, leaving the best delicious towards finale, and for the duration of the plot, its formation and setting, only throws small pieces, forcing emotions to function, as well as the head to rest for the time being. Only after one more credits, while you sit in bewilderment and attempt to understand what the heck that it was now, fecal material an office building and gray mosaic slowly begin to create during my head, in the actual picture of which is buried what only probably the most attentive and thoughtful viewer can see.
Trier understands how to create the impression of a responsible storyteller and perhaps if he manipulates, he does it just for the benefit of the viewer himself. Perhaps this is the reason the actors in the paintings always play in such a way that they do not create the sense of falsity and insincerity. It often even looks like on the watch's screen there are the most real clerks, losers, actors, bosses as well as other inhabitants of a tiny stuffy office within the picture. Trier doesn't need expensive, but what could there be, just at least some interesting decorations. In The Biggest Boss, we view a setting generates the floor in Manderlea and Dogville look very interesting while in the background. At the very least, it won't choke like a little, cramped and types of boring office space.
Realism is first and foremost, 123movies therefore music is additionally useless. Should we often hear music in actual life, just speaking to someone or pondering our daily bread? It is unlikely. ... So unfortunately we cannot hear from Trier. Scenery, music, actors ... ok last one! The latest feature with the maestro also appeared in the modern film. Now he also provides a storyteller, going on stage in reference to his comments from the outset, end and center of the picture. Such performances look quite cute and charming, crowning the film just as as a smaller but bright cherry crowns the top a big and delightful cake.
Well, and some words needs to be said about the subsequent invention of your Danish genius - "Automavision” ;.This kind of cool thing. After the 1st reports how the entire film was filmed without having the participation in the operator, I somehow expected more tin, much above I received while in the end. Well, yes, in places faces of folks are halved, you will not show the interlocutors, but a nonsense, but concurrently everything won't bother by any means, only brings another part of realism into the picture.
Conclusion: Trier filmed a movie which had been passable for himself and robust for another director, which leaves feeling of understatement and depth, to access which you need to spend a long time and effort.