Trier directed the comedy. Any person that is even slightly familiar with all the work with the Dane, at the primary news of the, 123 movies should not less than be very impressed, plus more correct - not believe the source. Although in reality, why not believe? Trier, to start with, is an innovator, a person who will not tolerate to walk the beaten path and literally re-opens cinema with his every film. Take a look at? Have you thought to a comedy?
But Trier always knew the way to outwit everyone and provides a real trick that the jaw often went into a private walk. He did not change himself these times either ... Comedy? Well, of course. Did anyone really expect a comedy from the standard, classic, disgustingly banal understanding from the word? Lars is as opposed to that. Instead coming from all this, he slipped the naive viewer into fusion from comedy, social drama, and in many cases some semblance of whether thriller or even a detective. The result would have been a movie which was outrageously topical: about losers and selfish people; about precisely how people build and destroy walls of misunderstanding in relationships; a motion picture regarding the the fear of not being loved, well, also about the workplace atmosphere, which from any sane person, even quickly, will complete a clerk, which consists of internal cockroaches the dimensions of a tiny Godzilla.
At first, it would seem that the film is very simple and easy poor in good fresh ideas, similar to a church rat for dollars. But it had not been there. The fact that was supposed to become sitcom turned into a very deep philosophical parable with social connotations. As well, no-one powered down humor from the action, and you will even find a couple of moments whenever you laugh - but not only somehow maliciously and deeply within your consciousness, but also you can frankly give all your other worries a voice.
Trier, keep in mind, plays together with the viewer, leaving one of the most delicious towards the finale, and during the plot, its formation and setting, only throws small pieces, forcing emotions to work, along with the check out rest for some time being. Only after one more credits, when you sit in bewilderment so you can understand what the heck it was now, waste a workplace and grey mosaic slowly begin to produce within my head, in the entire picture of that is buried what only essentially the most attentive and thoughtful viewer can see.
Trier can create the sense of a responsible storyteller as well as if he manipulates, he is doing it just for the main advantage of the viewer himself. Perhaps this is why the actors in her paintings always play such that they can't create the sense of falsity and insincerity. Often it even appears as if on screen there would be the most real clerks, losers, actors, bosses along with inhabitants of a smallish stuffy office within the picture. Trier does not have expensive, but what will there be, just not less than some interesting decorations. In The Biggest Boss, we percieve a setting that produces the ground in Manderlea and Dogville look very interesting from the background. No less than, it won't choke like a small, cramped and type of boring office space.
Realism is primarily, therefore music can also be useless. Can we often hear music in the real world, just actually talking to someone or planning on our daily bread? It is unlikely. ... So and we don't hear from Trier. Scenery, music, actors ... by the way! A fresh feature in the maestro also appeared in the brand new film. Now young drivers . acts as a storyteller, happening stage along with his comments at the start, end and core picture. Such performances look quite cute and charming, crowning the film such as as a compact but bright cherry crowns the top of the a big and beautiful cake.
Well, and a number of words really should be said about our next invention of your Danish genius - "Automavision” ;.A real cool thing. After the primary reports which the entire film was filmed without having the participation with the operator, I somehow expected more tin, much in excess of I received inside the end. Well, yes, in places faces of individuals are halved, you isn't going to show the interlocutors, but some form of nonsense, but all at once everything won't bother by any means, but only brings another portion of realism into your picture.
Conclusion: Trier filmed a movie that's passable for himself and strong for any other director, which leaves feeling of understatement and depth, to get to which you must spend time and effort and effort.
Good comedies are not harmless
por Jarrod Leibius (2021-03-30)
Trier directed the comedy. Any person that is even slightly familiar with all the work with the Dane, at the primary news of the, 123 movies should not less than be very impressed, plus more correct - not believe the source. Although in reality, why not believe? Trier, to start with, is an innovator, a person who will not tolerate to walk the beaten path and literally re-opens cinema with his every film. Take a look at? Have you thought to a comedy?But Trier always knew the way to outwit everyone and provides a real trick that the jaw often went into a private walk. He did not change himself these times either ... Comedy? Well, of course. Did anyone really expect a comedy from the standard, classic, disgustingly banal understanding from the word? Lars is as opposed to that. Instead coming from all this, he slipped the naive viewer into fusion from comedy, social drama, and in many cases some semblance of whether thriller or even a detective. The result would have been a movie which was outrageously topical: about losers and selfish people; about precisely how people build and destroy walls of misunderstanding in relationships; a motion picture regarding the the fear of not being loved, well, also about the workplace atmosphere, which from any sane person, even quickly, will complete a clerk, which consists of internal cockroaches the dimensions of a tiny Godzilla.
At first, it would seem that the film is very simple and easy poor in good fresh ideas, similar to a church rat for dollars. But it had not been there. The fact that was supposed to become sitcom turned into a very deep philosophical parable with social connotations. As well, no-one powered down humor from the action, and you will even find a couple of moments whenever you laugh - but not only somehow maliciously and deeply within your consciousness, but also you can frankly give all your other worries a voice.
Trier, keep in mind, plays together with the viewer, leaving one of the most delicious towards the finale, and during the plot, its formation and setting, only throws small pieces, forcing emotions to work, along with the check out rest for some time being. Only after one more credits, when you sit in bewilderment so you can understand what the heck it was now, waste a workplace and grey mosaic slowly begin to produce within my head, in the entire picture of that is buried what only essentially the most attentive and thoughtful viewer can see.
Trier can create the sense of a responsible storyteller as well as if he manipulates, he is doing it just for the main advantage of the viewer himself. Perhaps this is why the actors in her paintings always play such that they can't create the sense of falsity and insincerity. Often it even appears as if on screen there would be the most real clerks, losers, actors, bosses along with inhabitants of a smallish stuffy office within the picture. Trier does not have expensive, but what will there be, just not less than some interesting decorations. In The Biggest Boss, we percieve a setting that produces the ground in Manderlea and Dogville look very interesting from the background. No less than, it won't choke like a small, cramped and type of boring office space.
Realism is primarily, therefore music can also be useless. Can we often hear music in the real world, just actually talking to someone or planning on our daily bread? It is unlikely. ... So and we don't hear from Trier. Scenery, music, actors ... by the way! A fresh feature in the maestro also appeared in the brand new film. Now young drivers . acts as a storyteller, happening stage along with his comments at the start, end and core picture. Such performances look quite cute and charming, crowning the film such as as a compact but bright cherry crowns the top of the a big and beautiful cake.
Well, and a number of words really should be said about our next invention of your Danish genius - "Automavision” ;.A real cool thing. After the primary reports which the entire film was filmed without having the participation with the operator, I somehow expected more tin, much in excess of I received inside the end. Well, yes, in places faces of individuals are halved, you isn't going to show the interlocutors, but some form of nonsense, but all at once everything won't bother by any means, but only brings another portion of realism into your picture.
Conclusion: Trier filmed a movie that's passable for himself and strong for any other director, which leaves feeling of understatement and depth, to get to which you must spend time and effort and effort.