Trier directed the comedy. Anybody who will be even slightly familiar while using the work with the Dane, at the 1st news with this, 123movies should not less than very impressed, and much more correct - not believe the source. Although the fact is, have you thought to believe? Trier, firstly, is a frontrunner, a male who doesn't like walking the beaten path and literally re-opens cinema along with every film. Take a look at? Why not a comedy?
But Trier always knew how to outwit everyone and give this sort of trick that the jaw often went into a completely independent walk. He would not change himself on this occasion either ... Comedy? Well, of course. Did anyone really expect a comedy while in the standard, classic, disgustingly banal understanding from the word? Lars is not like that. Instead of all this, he slipped the naive viewer into fusion from comedy, social drama, and even some semblance of sometimes a thriller or perhaps a detective. The result would have been a movie that had been outrageously topical: about losers and selfish people; about how precisely people build and destroy walls of misunderstanding in relationships; a movie regarding the concern with not loved, well, also about the workplace atmosphere, which on the sane person, even eventually, will make a clerk, using its internal cockroaches the dimensions of a little Godzilla.
When you're beginning, it could seem how the film may be very simple and easy poor in good fresh ideas, similar to a church rat for dollars. But it was not there. That which was supposed being a sitcom transformed into a very deep philosophical parable with social connotations. All at once, not one person not power on humor from the action, and you will even find a couple of moments once you laugh - not merely somehow maliciously and deeply inside of your consciousness, but it's also possible to frankly give your heartaches a voice.
Trier, as always, plays with the viewer, leaving by far the most delicious towards the finale, and throughout the plot, its formation and setting, only throws small pieces, forcing emotions to be effective, and also the head to rest for some time being. Only after the ultimate credits, if you sit in bewilderment and continue to understand what the heck it had become now, bits of a dentist's office and grey mosaic slowly begin to make in my head, in the actual picture of which happens to be buried what only the most attentive and thoughtful viewer can see.
Trier is able to create the impression of a good storyteller and in some cases if he manipulates, he does it just for the main benefit of the viewer himself. Perhaps this is the reason the actors in his paintings always play in such a way that they just don't create the impression of falsity and insincerity. Sometimes it even seems that on the screen there are classified as the most real clerks, losers, actors, bosses along with other inhabitants of a compact stuffy office in the picture. Trier does not have expensive, but what is there, just at the very least some interesting decorations. In The Biggest Boss, there are an environment generates the floor in Manderlea and Dogville look fascinating within the background. At least, it doesn't choke like a small, cramped and type of boring office space.
Realism is especially, therefore music is usually useless. Can we often hear music in the real world, just speaking with someone or considering our daily bread? It is unlikely. ... So we really do not listen to Trier. Scenery, music, actors ... oh yeah! A different feature of your maestro also appeared in the brand new film. Now vehicles provides a storyteller, happening stage along with his comments at the beginning, end and core picture. Such performances look quite cute and charming, crowning the film in the same way as a smaller but bright cherry crowns the top of the a large and beautiful cake.
Well, and a couple of words needs to be said about our next invention from the Danish genius - "Automavision” ;.This kind of cool thing. After the very first reports which the entire film was filmed without worrying about participation on the operator, I somehow expected more tin, much greater than I received in the end. Well, yes, in places the faces of persons are halved, you will not show the interlocutors, but a nonsense, but all at once everything will not bother in any respect, but only brings another area of realism to the picture.
Conclusion: Trier filmed a motion picture that has been passable for himself and powerful for any director, which leaves feeling of understatement and depth, to get at which you have to spend time and effort.
Good comedies are not harmless
por Latosha Archie (2021-03-29)
Trier directed the comedy. Anybody who will be even slightly familiar while using the work with the Dane, at the 1st news with this, 123movies should not less than very impressed, and much more correct - not believe the source. Although the fact is, have you thought to believe? Trier, firstly, is a frontrunner, a male who doesn't like walking the beaten path and literally re-opens cinema along with every film. Take a look at? Why not a comedy?But Trier always knew how to outwit everyone and give this sort of trick that the jaw often went into a completely independent walk. He would not change himself on this occasion either ... Comedy? Well, of course. Did anyone really expect a comedy while in the standard, classic, disgustingly banal understanding from the word? Lars is not like that. Instead of all this, he slipped the naive viewer into fusion from comedy, social drama, and even some semblance of sometimes a thriller or perhaps a detective. The result would have been a movie that had been outrageously topical: about losers and selfish people; about how precisely people build and destroy walls of misunderstanding in relationships; a movie regarding the concern with not loved, well, also about the workplace atmosphere, which on the sane person, even eventually, will make a clerk, using its internal cockroaches the dimensions of a little Godzilla.
When you're beginning, it could seem how the film may be very simple and easy poor in good fresh ideas, similar to a church rat for dollars. But it was not there. That which was supposed being a sitcom transformed into a very deep philosophical parable with social connotations. All at once, not one person not power on humor from the action, and you will even find a couple of moments once you laugh - not merely somehow maliciously and deeply inside of your consciousness, but it's also possible to frankly give your heartaches a voice.
Trier, as always, plays with the viewer, leaving by far the most delicious towards the finale, and throughout the plot, its formation and setting, only throws small pieces, forcing emotions to be effective, and also the head to rest for some time being. Only after the ultimate credits, if you sit in bewilderment and continue to understand what the heck it had become now, bits of a dentist's office and grey mosaic slowly begin to make in my head, in the actual picture of which happens to be buried what only the most attentive and thoughtful viewer can see.
Trier is able to create the impression of a good storyteller and in some cases if he manipulates, he does it just for the main benefit of the viewer himself. Perhaps this is the reason the actors in his paintings always play in such a way that they just don't create the impression of falsity and insincerity. Sometimes it even seems that on the screen there are classified as the most real clerks, losers, actors, bosses along with other inhabitants of a compact stuffy office in the picture. Trier does not have expensive, but what is there, just at the very least some interesting decorations. In The Biggest Boss, there are an environment generates the floor in Manderlea and Dogville look fascinating within the background. At least, it doesn't choke like a small, cramped and type of boring office space.
Realism is especially, therefore music is usually useless. Can we often hear music in the real world, just speaking with someone or considering our daily bread? It is unlikely. ... So we really do not listen to Trier. Scenery, music, actors ... oh yeah! A different feature of your maestro also appeared in the brand new film. Now vehicles provides a storyteller, happening stage along with his comments at the beginning, end and core picture. Such performances look quite cute and charming, crowning the film in the same way as a smaller but bright cherry crowns the top of the a large and beautiful cake.
Well, and a couple of words needs to be said about our next invention from the Danish genius - "Automavision” ;.This kind of cool thing. After the very first reports which the entire film was filmed without worrying about participation on the operator, I somehow expected more tin, much greater than I received in the end. Well, yes, in places the faces of persons are halved, you will not show the interlocutors, but a nonsense, but all at once everything will not bother in any respect, but only brings another area of realism to the picture.
Conclusion: Trier filmed a motion picture that has been passable for himself and powerful for any director, which leaves feeling of understatement and depth, to get at which you have to spend time and effort.