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Good comedies should never be harmless

por Brandon Winfield (2021-03-29)

Trier directed the comedy. Any body who's going to be even just a little familiar using the work of your Dane, at the primary news with this, should at least very impressed, plus more correct - not believe the source. Although in fact, you should believe? Trier, firstly, is a frontrunner, a person who does not like just to walk the beaten path and literally re-opens cinema in reference to his every film. So why wouldn't you? Why not a comedy?

But Trier always knew ways to outwit everyone and present this type of trick which the jaw often went into persistent walk. He could not change himself this time either ... Comedy? Well, of course. Did anyone really expect a comedy within the standard, classic, disgustingly banal understanding of the word? Lars is in contrast to that. Instead of the this, he slipped the naive viewer into fusion from comedy, social drama, and in many cases some semblance of sometimes a thriller or a detective. The results was obviously a movie that was outrageously topical: about losers and selfish people; about precisely how people build and destroy walls of misunderstanding in relationships; a motion picture around the anxiety about not loved, well, also about your place of work atmosphere, which in the sane person, even eventually, will create a clerk, featuring a internal cockroaches how big is a small Godzilla.

Initially, it may well seem that the film is exceedingly basic and 123movies poor in good fresh ideas, such as a church rat for dollars. But it was not there. The fact that was supposed becoming a sitcom converted into a relatively deep philosophical parable with social connotations. At the same time, no person not power on humor from the experience, and there are even a couple of moments while you laugh - not simply somehow maliciously and deeply in your consciousness, but additionally you can frankly give your heartaches a voice.

Trier, remember, plays with the viewer, leaving essentially the most delicious to your finale, and while in the plot, its formation and setting, only throws small pieces, forcing emotions to your workplace, along with the look at rest for enough time being. Only after the ultimate credits, whenever you sit in bewilderment and try to understand what the heck it was now, fecal material a business office and gray mosaic slowly begin to make around my head, in the entire picture of that's buried what only probably the most attentive and thoughtful viewer can see.

Trier is able to create the sense of an honest storyteller and in many cases if he manipulates, he does it only for major benefit of the viewer himself. Perhaps this is why the actors within his paintings always play to the extent that they just don't create the impression of falsity and insincerity. Sometimes it even appears as if on the screen there will be the most real clerks, losers, actors, bosses and also other inhabitants of a little stuffy office inside picture. Trier does not have expensive, but what could there be, just at the very least some interesting decorations. In The Biggest Boss, we see an environment that makes the soil in Manderlea and Dogville look quite interesting from the background. At least, this doesn't happen choke like a compact, cramped and style of boring office space.

Realism is first and foremost, therefore music is usually useless. Should we often hear music in true to life, just discussing with someone or pondering our daily bread? It truly is unlikely. ... So do not listen to Trier. Scenery, music, actors ... by the way! The latest feature from the maestro also appeared in the revolutionary film. Now young drivers . behaves as a storyteller, happening stage along with comments at the beginning, end and core of the picture. Such performances look quite cute and charming, crowning the film such as as a compact but bright cherry crowns the top a considerable and delightful cake.

Well, and a couple of words ought to be said about our next invention of your Danish genius - "Automavision” ;.A really cool thing. After the earliest reports which the entire film was filmed without having the participation of the operator, I somehow expected more tin, much greater than I received within the end. Well, yes, in places the faces of persons are halved, you would not show the interlocutors, but an nonsense, but concurrently everything isn't going to bother in any respect, but only brings another component of realism in to the picture.

Conclusion: Trier filmed a show that was passable for himself and powerful for any other director, which leaves feeling of understatement and depth, to reach which you should spend a lot of time and effort.