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Good comedies should never be harmless

por Dewitt Dunlop (2021-03-29)

Trier directed the comedy. Anyone who is even a little bit familiar while using work of the Dane, at the initial news with this, should at least be very impressed, sometimes more correct - not believe the source. Although actually, have you thought to believe? Trier, first of all, is an innovator, a guy who will not tolerate to run the beaten path and literally re-opens cinema with his every film. Consider? You should a comedy?

But Trier always knew how you can outwit everyone and provides this type of trick that the jaw often went into a completely independent walk. He could not change himself this occassion either ... Comedy? Well, of course. Did anyone really expect a comedy inside the standard, classic, disgustingly banal understanding on the word? Lars is nothing like that. Instead of the this, he slipped the naive viewer into fusion from comedy, social drama, and in some cases some semblance of either a thriller or maybe a detective. The results was obviously a movie that has been outrageously topical: about losers and selfish people; about how people build and destroy walls of misunderstanding in relationships; a motion picture with regards to the nervous about not being loved, well, also about the workplace atmosphere, which on the sane person, even eventually, will produce a clerk, using its internal cockroaches how big the a compact Godzilla.

At first, it may well seem that the film can be quite simple and poor in good fresh ideas, such as a church rat for dollars. But it wasn't there. That which was supposed to be a sitcom transformed into a fairly deep philosophical parable with social connotations. While doing so, not a soul put off humor from the action, 123movies and you can even find a few moments once you laugh - besides somehow maliciously and deeply in your consciousness, but you can even frankly give all your other worries a voice.

Trier, as always, plays while using the viewer, leaving the best delicious to your finale, and during the plot, its formation and setting, only throws small pieces, forcing emotions to work, as well as check out rest for time being. Only after the last credits, if you sit in bewilderment and then try to understand what the hell it turned out now, fecal material a business office and grey mosaic slowly begin in order to create at my head, in the actual picture of that's buried what only one of the most attentive and thoughtful viewer can see.

Trier can create the impression of a genuine storyteller and in many cases if he manipulates, he is doing it only for the advantages of the viewer himself. Perhaps this is why the actors in his paintings always play in such a way that they cannot create the impression of falsity and insincerity. Often it even appears as if on the screen there will be the most real clerks, losers, actors, bosses and various inhabitants of a tiny stuffy office inside picture. Trier doesn't have expensive, but what could there be, just at the very least some interesting decorations. In The Biggest Boss, there are an environment that produces the ground in Manderlea and Dogville look very worthwhile inside the background. A minimum of, it doesn't choke like a compact, cramped and kind of boring office space.

Realism is most importantly, therefore music is additionally useless. Can we often hear music in real life, just discussing with someone or thinking about our daily bread? It truly is unlikely. ... So we don't hear from Trier. Scenery, music, actors ... oh yeah! A brand new feature of the maestro also appeared in the new film. Now he also provides a storyteller, taking stage together with his comments from the outset, end and core picture. Such performances look quite cute and charming, crowning the film such as as a small but bright cherry crowns the top of a large and delightful cake.

Well, and several words really should be said about another invention on the Danish genius - "Automavision” ;.This type of cool thing. After the initial reports which the entire film was filmed devoid of the participation of the operator, I somehow expected more tin, much in excess of I received inside end. Well, yes, in places faces of persons are halved, you won't show the interlocutors, but an nonsense, but at the same time everything isn't going to bother at all, but only brings another part of realism into the picture.

Conclusion: Trier filmed a film that had been passable for himself and powerful for any other director, which leaves a feeling of understatement and depth, to arrive at which you need to spend time and effort.