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Good comedies will never be harmless

por Mona Brackett (2021-03-29)

Trier directed the comedy. Any body who is even a little familiar while using the work from the Dane, at the primary news of your, should at the least be blown away, plus more correct - not believe the source. Although actually, you could start to believe? Trier, to start with, is a pacesetter, someone who will not tolerate just to walk the beaten path and literally re-opens cinema with his every film. So why don't you? Have you thought to a comedy?

But Trier always knew the way to outwit everyone and give this kind of trick how the jaw often went into a completely independent walk. He wouldn't change himself these times either ... Comedy? Well, of course. Did anyone really expect a comedy while in the standard, classic, disgustingly banal understanding in the word? Lars is unlike that. Instead of most this, he slipped the naive viewer into fusion from comedy, social drama, and in some cases some semblance of thriller or possibly a detective. The effect would be a movie that's outrageously topical: about losers and selfish people; regarding how people build and destroy walls of misunderstanding in relationships; a movie concerning the anxiety about not being loved, well, also about the workplace atmosphere, which from any sane person, even very quickly, will complete a clerk, using its internal cockroaches the dimensions of a tiny Godzilla.

When you're beginning, it could seem that the film may be very basic and poor in good fresh ideas, similar to a church rat for dollars. But it was not there. The concepts supposed being a sitcom converted into a relatively deep philosophical parable with social connotations. At the same time, nobody put off humor from the experience, and there are also some moments whenever you laugh - not simply somehow maliciously and deeply inside your consciousness, but also you can frankly give how you feel a voice.

Trier, as always, plays with the viewer, leaving probably the most delicious to the finale, and while in the plot, its formation and setting, only throws small pieces, forcing emotions to figure, as well as the go to rest for some time being. Only after the last credits, once you sit in bewilderment trying to understand what the hell it was now, waste a dentist's office and grey mosaic slowly begin in order to create in my head, in the overall picture of which is buried what only probably the most attentive and thoughtful viewer can see.

Trier can create the sense of a reputable storyteller and also if he manipulates, he does it exclusively for the advantage of the viewer himself. Perhaps that is why the actors in their paintings always play in a manner that they just don't create the sense of falsity and insincerity. Sometimes it even entirely possible that on the watch's screen there are the most real clerks, losers, actors, bosses as well as other inhabitants of a smaller stuffy office inside the picture. Trier does not need expensive, but what possibly there is, just at the very least some interesting decorations. In The Biggest Boss, 123movies we have seen a setting which makes a floor in Manderlea and Dogville look worth it to read within the background. At least, no choke like a tiny, cramped and sort of boring office space.

Realism is especially, therefore music is usually useless. Can we often hear music in the real world, just talking to someone or thinking about our daily bread? It is unlikely. ... So we really do not hear from Trier. Scenery, music, actors ... by the way! The latest feature in the maestro also appeared in the new film. Now also, he acts as a storyteller, taking stage together with his comments before you start, end and middle of the picture. Such performances look quite cute and charming, crowning the film just as as a tiny but bright cherry crowns the top of a substantial and delightful cake.

Well, and a number of words ought to be said about the next invention from the Danish genius - "Automavision” ;.This type of cool thing. After the 1st reports that this entire film was filmed devoid of the participation from the operator, I somehow expected more tin, much a lot more than I received inside the end. Well, yes, in places faces of folks are halved, the digital camera isn't going to show the interlocutors, but some form of nonsense, but as well everything doesn't bother at all, but only brings another element of realism into your picture.

Conclusion: Trier filmed a film that has been passable for himself and powerful for some other director, which leaves feelings of understatement and depth, to arrive at which you'll want to spend a lot of time and effort.