The fictional imposition in <i>The counterlife</i> and <i>The facts</i>, by Philip Roth
DOI:
https://doi.org/10.12957/matraga.2017.31593Keywords:
Fiction. Contemporary novel. Autobiography. Philip Roth.Abstract
This article aims to discuss the relation between fiction and autobiography in Philip Roth’s work, by specifically tackling the books The Counterlife, the 1986 novel that is Roth’s most radical experimentation in fiction, and The Facts, an “autobiographic” text published by him a short time after that, in 1988. The objective of the analysis is to show how intertwined these two works are, that the clash between life and invention is ever-present in both of them, and that invention is invariably the winning force.
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DOI: http://dx.doi.org/10.12957/matraga.2017.31593
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