Publicado: 29.06.2018

DOI: https://doi.org/10.12957/abusoes.2018.35567

APRESENTAÇÃO

Aparecido Rossi, Claudio Vescia Zanini, Marcio Markendorf
DOI: https://doi.org/10.12957/abusoes.2018.35478

O MODO FANTÁSTICO EM O HOBBIT – (RE)FLUXOS CINEMA/LITERATURA

Vítor Castelões Gama, Werbson dos Santos Silva, Wiliam Alves Biserra
DOI: https://doi.org/10.12957/abusoes.2018.32705
DOI: https://doi.org/10.12957/abusoes.2018.33887
DOI: https://doi.org/10.12957/abusoes.2018.32717

NÓS SOMOS JOHN MALKOVICH

Vinicius Lucas de Souza, Aparecido Donizete Rossi
DOI: https://doi.org/10.12957/abusoes.2018.32859
DOI: https://doi.org/10.12957/abusoes.2018.32771
DOI: https://doi.org/10.12957/abusoes.2018.32884
DOI: https://doi.org/10.12957/abusoes.2018.32688

MIGUEL MIGUEL: O FANTÁSTICO TRADUZIDO PARA O CINEMA

Wellingson Valente dos Reis, José Guilherme de Oliveira Castro, Lucilinda Ribeiro Teixeira
DOI: https://doi.org/10.12957/abusoes.2018.32766
DOI: https://doi.org/10.12957/abusoes.2018.32788
DOI: https://doi.org/10.12957/abusoes.2018.32798
DOI: https://doi.org/10.12957/abusoes.2018.35488
DOI: https://doi.org/10.12957/abusoes.2018.35489
DOI: https://doi.org/10.12957/abusoes.2018.35491
DOI: https://doi.org/10.12957/abusoes.2018.35490
DOI: https://doi.org/10.12957/abusoes.2018.35492
DOI: https://doi.org/10.12957/abusoes.2018.35493